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Music Review of Elephant Shell by Tokyo Police Club
“Tokyo Police Club” is a four-piece Canadian indie rock band from Newmarket, Ontario. Tokyo Police Club was formed in 2005 and consists of Dave Monks (vocals and bass), Josh Hook (guitar), Graham Wright (keyboards) and Greg Alsop (drums). Their musical genres are mainly indie rock, garage rock and post-punk revival.
Elephant Shell has a good opening with “Centennial”. Within seconds of opening, you can hear the sound of a malfunctioning robot. The robot might be stuck or stuck somewhere, I thought to myself. Shortly, keyboard draggy and Dave Monks have just entered. Centennial is not a fast tempo track, but the guitar and bass seem to be able to clear this track up. In the bridge, the handclaps join the keyboard, only coming in for a brief second. And this could be one of Centennial’s best moments. At the end, I like Dave Monks saying, “I wish you nothing but the best, although you won’t believe me, this coming Thursday evening is our centenary…” and followed it up with a wedding-like keyboard. A short opening, but I’m convinced to know more about the Tokyo Police Club.
“In A Cave” begins with a guitar coming from afar before joining In A Cave’s basic bass line. Before Dave comes in, the music is already really good. When it comes to the chorus where Dave says again, “All my hair is growing, wrinkles are coming out of my skin, but still, it’s not fading… I’ll be back when the tide comes in someday…” , the keyboard suddenly enters and the rest of the Tokyo Police Club can be heard helping Dave in the background. The second verse gets even more ferocious with the guitar and bass, but somehow it’s not loud. It still manages to sound light and effortless. The best bet on In A Cave is definitely the remaining minute after the second chorus. Dave just says his stuff, “Elephant shell, you’re my cave and I’ve been hiding, will you tell me a little about yourself?” and he is joined by guitar, bass, drums and keyboard playing the notes we first heard at the beginning. Only this time, the Tokyo Police Club adds a little magic! Awesome Tokyo Police Club stuff here!
From the lyrics to “Graves,” it sounds like a horror movie script. “Pack your ashes, pack a watch, a change of clothes and a face cloth, meet me where your mother is, we’ll dig graves on both sides…” The guitar continues to loop as Graves opens up before the drums, the bass and the keyboard all come in together. A sudden adrenaline rush! Graves is one of those songs that doesn’t really have a chorus and relies on the music to drag it out or make it longer. After Dave’s vocals in the second verse, it sounds like Tokyo Police Club is taking a little break from playing music. They really have a great fondness for keyboards. Near the end, Dave just sings to the end accompanied by a howling sound that goes on and off.
“Juno” has some drum beats. As Dave sings in the chorus, there seems to be a background sound that I think is produced by the Xylophone instrument, which adds a bit of Christmas to it. Coming to the chorus, Juno seems to be turning to the keyboard to follow Dave’s voice: “You and your soapy eyes, you turned it off so late at night, but your hand is on your heart, ’cause your head is always right …”. The xylophone also plays its part here on some notes that really complement the chorus. As Juno continues, he ends on a sudden, tired note: “Juno, you’re tired…” But I’m just getting to know the Tokyo Police Club.
“Tessellate” has a sharp, shrill guitar at the beginning. Just as Dave sings every line of the verse, the keyboards that have some catchy ingredients come in at just the right time to make sure we listeners have a blast listening to Tessellate. In the chorus, Dave sings in his already familiar voice, “…Dead lovers salivent, broken hearts tessellate tonight…” The Tokyo Police Club show some effort here by adding claps alongside Dave’s vocals. The real deal with Tessellate is definitely the keyboard sound that always catches my attention because it’s just too good. And sometimes, it sounds like a piano. Now I can’t get the sound out of my head.
“Sixties Remake” starts with a crunching guitar opening that reminds me of those motorcycle engines on the highway. As this song goes and reaches a point where you can hear an exclamation of “Hey”, I already knew that Sixties Remake is one of the tracks that will be my favorite on Elephant Shell. The crunching guitar is one of the factors that makes the Sixties Remake so good. In the chorus, Dave just says, “Hey! Slap your lips, close your eyes… Hey! Spin those chains and start a fight, ’cause you’ve got nerves, but we’ve been touched…”. it has to be one of the loudest and crunchiest tracks on the album.
“The Harrowing Adventures Of…” makes me think this is one of those songs that might be suitable for babies. The xylophone only plays notes that will make every baby in the world smile when they hear it. It’s not long before Dave enters the twilight zone of the bay, “The harrowing adventures of, you and I when we were captains of, submarines made of steel…” When he got to the point where it sounds like a chorus, the acoustic guitar can be heard playing in a way that blends so well with Dave’s voice and the xylophone. Here you can also hear two stringed instruments that sounded like a cello and a violin. I didn’t really expect it to come, but Tokyo Police Club surprised me here. The Harrowing Adventures Of… is undeniably cute and sassy in its own way. It will swallow you slowly.
“Nursery, Academy” is a short rock song that I find Dave sings with different notes in a few minutes. Early on, Dave can be heard singing, “I’d have gone home, I’d have gone home, it’s bad enough that you’re here and it’s worse that you’ve come…” clever, thoughtful lyrics. This song starts to pick up after a while once the bass hits. Keyboardist Graham must have worked hard here as the keyboard is all over the place with different notes. Tokyo Police Club is putting a lot of effort into this song to make it sound as good as possible. I can feel that they work really hard on this track.
“Your English Is Good” has Tokyo Police Club’s chorus, “Oh, give us your vote, give us your vote, if you know what’s good for you…” before the whole song sounds very full as the music enters all together. . Your English Is Good is sassy and cute with the keyboard repeatedly playing the same notes throughout the track. Every time I enter the keyboard, a smile appears on my face. The Tokyo Police Club also goes hand in hand: “Because your English is good, we can see it in your bones, in this neighborhood, we don’t take you home…” With this title, Your English is good will definitely catch everyone. pay attention to the track list section. Also, another good thing is the beautiful keyboard and chorus in this song. Sweet and cute!
“Listen To The Math” has a slow opening where Dave’s voice seems to be the music here. The keyboards and bass add some weight to Dave’s vocals as he enters the second part of the first verse. Once it gets to the chorus, it feels light on the guitar. “It’s a ploy, it’s a laugh, experts who would agree, listen to the math…” Shortly after the chorus, the guitar goes into a thicker note that seems to be able to add some extra effects and weight to Listen To The Mathematics. Another mention is the deep background vocals that come in during the chorus. Just follow Dave’s singing in the background. Listen To The Math can be considered a ballad that will stick like a mushroom after a few listens.
As the last song on Elephant Shell, “The Baskervilles” has some moments that stand out. The heart moments of Tokyo Police Club are worth mentioning and appear in some parts of the song and never fail to create an impact on the listeners. They were like, “Okay, we tried to help…” As we approach The Baskervilles, the song starts to pick up and the music sounds as lively as ever. Guitar and keyboards work here. Even near the end, Dave raises his singing pitch and shouts, “A toast to the last of a dying breed, they’re crawling back to bed, they’re going back to sleep” to the end. A very strong ending to Tokyo Police Club.
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