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Turning a Band Into Songwriters – 10 Songs In One Hour

That’s right, if you did the math, you quickly discovered that the band has to write a song every 6 minutes to stay on target, and they MUST STAY ON GOAL. This is the challenge. You have to enforce that they have to do 10 songs in an hour.

Here’s how I do it:

I divide the band into groups of two. If they’re three pieces, I’ll go in and play. Each group receives a guitar, a small amplifier and a small public address system. I put a wall of gobos (sound dampening device) between them and hit while recording both the guitar amp and vocal mic in each room. One person is expected to sing, the other to play the guitar. After writing each song, they have to change.

While this method can be a little off the wall, it’s the best way to get a band to work creatively together. It breaks a lot of barriers and it’s common for about 10% of the songs to be really good. I like this method because it solves many problems. It forces the band to be a band.

One of the problems that solve the 10 songs in an hour challenge is the idea that the singer has to invent all the melodies. Because? Ok, a singer should be able to sing, but the melody is the whole song in my opinion. The only thing that separates a great song from a crap song is the vocal melody, in my world. So we get the whole band to write the tunes. You’ll be surprised how good your drumming can be with creative vocal melodies.

Many guys are shy in front of the microphone. I’ve never recorded a Kansas-type band where the whole band can sing. I’m lucky to find a band where a man can sing. So the man who has no idea how to sing has to get on the mic and do it. Even when a terrible singer gets on the mic, the intent is usually clear. A real singer would have no problem making your drummer’s melody sound great. So when you force a guy to sing, he usually adapts to his situation.

It forces everyone to play the guitar or a similar instrument. This is fantastic. It makes the drummer pick up an instrument he is not used to. If he can’t play it, he has to face it. This is part of the process. Can play one note lines if needed. I just want one song. Competence in the instrument rarely affects the quality of the song.

While there are certainly exceptions, a band that isn’t used to writing a lot of songs simply won’t write a lot of songs. By adapting to this lightning fast method, the band will understand that the song never has to be great. You actually have to write a few terrible songs on purpose to get your brain creative enough to come up with something interesting. Bands play it safe all the time. They feel like every song has to be great. In fact, it’s quite the opposite. I noticed it more with pop groups in the 80s who weren’t going to drop out after the first record like they do now. Sometimes they got away with the dumbest, stupidest songs. Listen to a lot of Human League. They had at least 3 top 10 hits, but then they heard “Black Hit of Space” or “Empire State Human”. You can tell they just messed around. When you’re really being creative and experimenting, that’s when you’re going to come out with your hits and your shit.

I’m not saying that the 10 songs in an hour method is the best method for all bands. I think it’s a great method for bands that need to come together as a group. It’s a great songwriting tool for any band that just expects the singer to write songs. There is no finger pointing. Each band member is responsible for writing great songs in this situation.

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