How Do You Write An Array In Addition In Math Macroprosopus, Reflections and the Isisian Codes

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Macroprosopus, Reflections and the Isisian Codes

“As above, so below.”

The Symbol of Macroprosopus gives us an intuitive guide to how what is above is also what is below. It can also be used as an intuitive guide in the creation of the Garden of Eden, the hidden matrix that is guarded by the Flaming Sword and the Cherub, or the Rabbinic “tree of life.” Ultimately, reflections or mirrors are at the very heart of the Illuminatus system.

This article will provide some thoughts on the “reflections” and mirrors used by the Illuminati and within the Isisian Codes.

Mirrors and reflections

We have already discussed the nature of IXXI, or “9-11”, and how it is used as a foundational code for what is considered “The Garden of Eden”. 9-11, or IXXI, provides us with the pattern of formation, but offers us little in the way of archetypal encoding of the various cipher wheels (sephira) and pertinent paths. In the diagram of Macroprosopus, for example, we can see that the IXXI is encoded in the image, and that there is a division of the letters that runs through the horizontal center and thus forms a conceptual “mirror” or “reflection”.

Also, what floats in the sky, as in the middle of the Star of David and the full Tau or letter T, is being reflected in the water.

This “mirror”, or component of reflection, is necessary if we are to resolve the archetypal foundation of the Philosopher’s Stone, or, more accurately, the “Garden of Eden”. IXXI only allows us to form the appropriate geometric matrix. However, it is not enough to secure the actual geometric matrix; rather, since the geometric matrix serves as the road map of the human psyche in classical Jungian thought, it becomes critical and necessary to correctly place all symbols within the various cipher wheels (sephira), as well as correctly number the channels between the different cipher wheels or sephira.

Even after you’ve done all that, you have to go back to work and do all the double-checking “of the math,” so to speak. My original matrix for the Garden of Eden, for example, had a bug that went unsolved for almost 2 years. Therefore, solving the archetypal or hidden frame requires a lot of work and double-checking before launching to make sure that the answers that are sensed are indeed accurate and correct.

All this is precisely so with the inherent nature of construction, and the way in which immersion in construction creates conditions by which it is easy to be deceived.

Mirrors, or reflections, play a critical role in shaping reality. For example, when we see the Moon, which is a symbol of the occult, it is stronger than the Sun because its light can still shine during the day when even the Sun reigns supreme. What this implies is that the Moon is able to reflect the light of the Sun and shine even when the Sun is also shining as well as when the Sun is not. Conceptually, the Moon, as a symbol of Occultism, has a stronger light than the Sun because Occultism uses the Sun and the reflection of the Sun equally. It does not use one over the other exclusively, but uses direct sunlight, but most importantly, reflected light from the Sun.

For the dark side of the Occult (the left path), its reflection is that of the CLOUD. Within the word CLOUD is the anagram play of the word HIDDEN. Since T=D, we simply encrypt CLOUT and CLOUD and OCULT (hidden). In this way, the Occult acts as a cover or seal that blocks the Sun and Moon, or it can pass smoothly and not affect the light of the Sun or Moon at all, or it can partially obscure the Sun and Moon. . Even stronger still is the anagram play of the word HIDDEN to form the word CLOUD. The word CLOUD shows a reflection of LUCK, and yet the clouds are silent, so we are reminded that the force of the “cloud”, or the Occult, is even stronger, as it can obscure the sunlight at its highest point. .

From a conceptual point of view, we simply recognize that our existence here on Earth is subject to many influences and occluding forces, of which the “clouds” act as a beneficial or harmful force depending on the strength and duration of influence Clouds, or “occultation,” can change the colors of the light reflected by the Moon as it reflects light from the Sun, while the Moon changes phase and reflects increasing or decreasing shades of light.

It is only the left-hand path that seeks to obscure completely, although we recognize that all things are obscured in some way.

If we imply that being strong is so “powerful” that others can hear, then we have a reflection of the power of the Occult in this world and therefore we should consider the strength and learn from its reflections, because in the end, it is only the reflections that we can see, and not the actual operation as the words and works fell into place.

Mirrors as a hidden basic element

The image of “Macroprosopus” is designed to imply the use of reflections and mirrors as part of the main conceptual basis and that these reflections and their uses must be thoroughly understood if conceptual insight is to be gained.

All the “gods” partake of the essence of Osiris, and Osiris, like the Letter A, manifests as himself in a “material form” similar to the mythology of Christianity. Osiris as the letter A provides us with the conceptual tools to begin dehistoricizing the fabrication of “reality,” hidden or otherwise. Pi is “the Word”. This means that there is a division and separation in which the 1’s are male and the 0’s are female, that each has its own unique and separate existence, but that the 1’s and 0’s are not mutually exclusive of each other , since the 0, female, is created by the 1 of the male. This is basic “intercourse”, or “sexual union”, or “the letter X”.

X = SEX, but the X is a reflection of the woman on the man. This reflection provides an intuitive insight into understanding the nature of Geb and Nut of the Egyptians. Geb and Nut are nothing more than an artistic representation of the letter X, of the sun that rises in the womb of the Earth or the sky.

However, all of this is “technically” or “fundamentally” tied to Pi.

If we contemplate the design, and by this we include the design of the human body, because it is also designed around the idea of ​​Pi, or the “Word”, the visual shape of the vagina shows a correlational “1” when “closed”, while the shape of the male phallus shows a correlational “0” when viewed from “the tip.” It is through the cardinal conceptual turn of two-dimensional design that we are able to arrive at the proper perspective of three-dimensional reality where, in this case, the “1’s” as men appear in the mind correctly as “males” and the “0’s ” are conceptually appearing in mind as properly designed as “women”.

In this way we can begin the process of conceptualizing the inherent design and begin to understand what is ‘true’ and what is ‘false’, what is the ‘mirror’ and what is the ‘actual’.

Another way to look at it is to use Occult reference material, which today is unnecessarily and intentionally confusing and “mystical”. For example, the Sepher Yetzirah, or “Book of Training,” states the following:

“These twenty-two letters, which are the foundation of all things, he arranged as on a sphere with two hundred and thirty-one doors, and the sphere can be turned forwards or backwards, either by for better or for worse; from good comes true pleasure, from evil only torment.” – In this example, the sphere can be rotated one way or the other.

Imagine it as a ball sitting on the ground. I write the number 6 and then turn the ball 180 degrees. You see my 6 as a 9. Then I write a number 9 on the ball and turn it 180 degrees again. Now you have two 6’s or two 9’s depending on how you look at them AND assuming you knew how to see the numbers “this way or that way”. If I say that the number is a 6, and I have written the number as a “6”, AND you tell me that the number is a “6”, and therefore we both agree that the number is a 6, then the that is spoken is “true” and therefore “good”.

However, if I write the number 6 and you tell me the number is a “6” and yet I intentionally cheat and say the number is a 9, then I have reversed the number and therefore “evil”, or a ” lie,” he continues. Since there are no additional context points to view reality as it exists at that moment, you have no way of actually knowing whether the number is a 6 or a 9.

Now extend this concept to multiples of glyphs (letters, etc.) and spin the multiples of glyphs as if you were on a sphere while sitting in the center of the sphere while immersed in total emptiness! That’s how complex and complicated everything can be.

The Universe is incredibly complex in its simplicity.

Context as a critical component

“Context” is therefore critical to understanding the precision of what is seen in relation to a letter, and especially how occult insignia and mythologies are seen and de-historicized. For example, in the above view of Macroprosopus, as shown above, there is a “T” reflected in the water, and yet there is an “upside-down T” floating in the air, and thus reflecting in the water the letter T is derived from the reverse T in the air.

This view is “true” in a hidden sense, but why? Therefore, the principle of “know thyself” means that certain truths should be brought into focus and verified for yourself, even when guidance is provided along the way.

That is, it is not enough to understand that what is “above” is “as below”: it is essential that a person understands to invert the above image and analyze it as if it were inverted or not down Therefore, ideas and images must be rotated “this way” and “that”, i.e. rotate 180 degrees or rotate 180 degrees, shift 45 degrees and rotate 180 degrees, read forward, but interpret them backwards, in the center or in various combinations of the above

How “God” manifests itself cannot be so easily controlled by simplistic formulations, and arriving at voluntary and intentional codes cannot be assumed to be a simple and straightforward process either. In the end, we are limited to the tools available through design constraints (material existence), so a wide range of tools using a wide range of interconnections is absolutely necessary to achieve an understanding of the whole.

When Plutarch says that Typhon tears the sacred scriptures to pieces and scatters them to the winds, this is a very broad and accurate representation, and so we must see the Construction as a giant puzzle that, like Humpty Dumpty, we try to take apart. to come back together so that we can overcome ignorance and delusion and create for ourselves a world and a society where our spiritual foundation is rooted in a form of reason impervious to ignorance.

The main point to remember is that the Illuminatus use and use a wide variety of reflections and mirrors in their system, so if you want to penetrate their philosophical system (a system that belongs to all of us), it is essential that the idea of mirrors and reflections is fully understood.

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